Undercurrents explores water as both presence and metaphor—serene, elusive, and in motion. LeRoux’s abstracted landscapes evoke meditative stillness. Heller’s impressionist photographs blur time and memory. Fox’s metal sculptures echo the quiet dance of ripples and waves. Larsen reframes landscapes through a prism, revealing layered ways of seeing.

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These works suggest that water is not just what moves, but what enables movement—not just what reflects, but what invites reflection. Undercurrents is a meditation on perception, where the invisible shapes the visible, and subtle currents guide us forward.